In Coralie Fargeat's new feminist terror motion picture The Substance, damaging social appeal specifications are actually the real creatures. They (women objectification, the disposal of "the aged," the expansion of a market improved body alteration) nourish a creature of a cycle that leads Demi Moore's fading television individuality character https://billyelliot.illawiki.com/980951/margaret_qualley_the_substance
Margaret Qualley The Substance
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